At-trazione animale. Ritorno al futuro

Directed by

In the course of 2012, a group of people – livestock breeders, animal trainers, farmers, forest wardens, a saddler, a blacksmith, a farrier, a vet and some university agriculture students – gathered in Murazzano, in the province of Cuneo, to promote the use of animal traction. A lowcost solution effective especially in restricted mountain areas whose impact on the environment is reduced to a bare minimum. Living proof of how an agriculture more sustainable and in tune with nature really is feasible.

Localized Title
[Animal At-traction. Return to the Future]
Genre
Documentary
Country
Italy
Year
2014
Duration
32'
Director's Notes
Director's Notes

At the farms we visited on our journey, we witnessed practices that we thought had been buried in the memory of our grandparents: the heavy Italian draft horse is used to pull carts of hay all year round (without a drop of petrol), while donkeys are used to plow vine rows. On the basis of this experience, we don’t want to pass animal traction off as a panacea. What we can say is that, in view of the cost and depreciation of mechanization, in mountain or small-scale agriculture and for the recovery of fringe areas, in many cases this practice can offer jobs, generate a certain number of ancillary activities, and help create wealth.

In short, for an agriculture more sustainable and in tune with nature, animal traction is a return to the future.

Gallery

Sostenibility

Sostenibility

The goal of numerous environmental struggles, now part of the UN Agenda, has been diminished and outlined in its multiple, potential areas of implementation: development, economy, food, agriculture, fishing, transportation, tourism...
Food on Film project
Food on Film
Partners
Slow Food
Associazione Cinemambiente
Cezam
Innsbruck nature film festival
mobilEvent
In collaboration with
Interfilm
UNISG - University of Gastronomic Sciences

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the Creative Europe Media Program. Neither the European Union nor the granting authority can be held responsible for them.